{"id":10,"date":"2015-04-09T20:01:34","date_gmt":"2015-04-09T20:01:34","guid":{"rendered":"http:\/\/joelcarreiro.com\/?page_id=10"},"modified":"2024-10-18T05:09:29","modified_gmt":"2024-10-18T05:09:29","slug":"exhibitions","status":"publish","type":"page","link":"http:\/\/joelcarreiro.com\/?page_id=10","title":{"rendered":"Resume\/Exhibitions"},"content":{"rendered":"

Download Resume(Click here)<\/strong><\/a><\/p>\n

SOLO EXHIBITIONS<\/b><\/p>\n

2023 \u00a0 \u00a0A Tour of Possible Worlds, <\/strong>Anthony Brunelli Fine Arts Binghamton N.Y<\/p>\n

2021 \u00a0 \u00a0Subjective Logic, <\/strong>three person show with Mark Gibian, Sarah Walker, Holland Tunnel Gallery, Newburgh, NY<\/p>\n

2020 \u00a0 \u00a0Picassoid, catalog, Center for the Arts Gallery, <\/strong>Westchester Community College, Valhalla, NY<\/p>\n

2017 \u00a0\u00a0\u00a0\u00a0<\/b>Recent Work<\/i><\/b>, <\/b>Latvian Academy of Art, Riga, Latvia<\/span><\/p>\n

2016 \u00a0\u00a0\u00a0\u00a0<\/b>Pictorial Philosophy<\/i><\/b>, <\/b>Clara Eagle Galleries, Murray State University, KY<\/span><\/p>\n

2013<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Fierce Bliss<\/i><\/b>, \u00a0Saint Paul the Apostle Church, New York, NY<\/span><\/p>\n

2012 \u00a0<\/b>\u00a0\u00a0\u00a0<\/span>Joel Carreiro : Recent Work<\/i><\/b>, Lasell College, Newton, MA<\/span><\/p>\n

2012<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Seeing Things<\/i><\/b>, Muhlenberg College, Allentown, PA<\/span><\/p>\n

2011<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Seeing Things<\/i><\/b>, Downtown Gallery, UT, Knoxville, Knoxville, TN \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

2010<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Seeing Things, <\/i><\/b>Fairfield University, Fairfield CT<\/span><\/p>\n

2009<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>The Unreliable Narrator<\/i><\/b>,<\/span> Blue Star Art Center, San Antonio TX<\/span><\/p>\n

2008<\/b> \u00a0\u00a0\u00a0\u00a0<\/span><\/i>Spellbound<\/i><\/b>,<\/span><\/i> Concordia College, Ann Arbor MI<\/span><\/p>\n

2007<\/b> \u00a0\u00a0\u00a0\u00a0<\/span><\/i>Spellbound,<\/i><\/b> Osilas Gallery, Concordia College, Bronxville NY<\/span><\/p>\n

2004<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>The Academy of Ancient Painting<\/i><\/b>, <\/span><\/i>Southern Vermont Art Center, Manchester VT<\/span><\/p>\n

1999<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Parallel Play<\/i><\/b> (solo exhibition)<\/span><\/i> University of Richmond Museum, Richmond VA.<\/span><\/p>\n

1995<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Solo Exhibition<\/i><\/b> College Center Gallery, Vassar College, Poughkeepsie NY<\/span><\/p>\n

1995 \u00a0\u00a0\u00a0\u00a0Susan Holland\/Joel Carreiro,<\/i><\/b> Wheeler Gallery, Providence RI<\/span><\/p>\n

1992<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Joel Carreiro: Recent Prints<\/i><\/b>, <\/span><\/i>Finkelstein Library, Spring Valley, NY<\/span><\/p>\n

1988<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Solo Exhibition,<\/i><\/b> Pepsico, Somers NY<\/span><\/p>\n

1987<\/b> \u00a0\u00a0\u00a0\u00a0<\/span><\/i>Solo Exhibition<\/i><\/b> , \u00a0Alternative Museum, New York, NY<\/span><\/p>\n

1985<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Solo Exhibition,<\/i><\/b> \u00a0Intar Gallery, New York, NY<\/span><\/p>\n

1983<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Solo Exhibition<\/i><\/b> , Just Above Midtown\/Downtown, New York, NY<\/span><\/p>\n

1983<\/b> \u00a0\u00a0\u00a0\u00a0Solo Exhibition<\/i><\/b> , Cayman Gallery, New York, NY<\/span><\/p>\n

1982<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Solo Exhibition<\/i><\/b> , J. Fields Gallery, New York, NY<\/span><\/p>\n

1981<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Solo Exhibition,<\/i><\/b> \u00a0Cayman Gallery, New York, NY<\/span><\/p>\n

1978<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Solo Exhibition<\/i><\/b> Cayman Gallery, New York, NY<\/span><\/p>\n

SELECTED EXHIBITIONS<\/b><\/p>\n

\n
\n
\n
\n

2025 \u00a0 \u00a0Smallish,<\/strong> Gallery G, Hiroshima, Japan<\/p>\n

2025 \u00a0 \u00a0Smallish,<\/strong> Gallery Ondo, Seoul, South Korea<\/p>\n

2024 \u00a0 \u00a0Altered Logistics Redux,<\/strong> Clara M. Eagle Gallery, Murray State University, KY<\/p>\n

2023 \u00a0 \u00a0Parallels and Rupture,<\/strong> Freedman Gallery, Albright College, Reading, PA<\/p>\n

2023 \u00a0 \u00a0Altered Logistics: Contemporary Collage and Appropriation Art,<\/strong> Dowd Gallery, SUNY, Cortland, NY<\/p>\n

2023 \u00a0 \u00a0So Happy Together, Studio Artego,<\/strong> Queens, New York<\/p>\n

2020 \u00a0 \u00a0A Legacy of Teaching and Learning,<\/strong> Goggleworks, Reading, Pa<\/p>\n

2018 \u00a0A New Era of Peace and a Peaceful Land, <\/b>Conrad Grebel College, Waterloo University, Waterloo, Ontario, CA<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

2017 \u00a0\u00a0\u00a0\u00a0<\/b>Group Exhibition<\/i><\/b>, <\/b>Geoffrey Young Gallery, Great Barrington, Ma<\/span><\/p>\n

2016<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Korea with Korea<\/i><\/b>, Ozaneaux ArtSpace, New York, NY<\/span><\/p>\n

2016 \u00a0\u00a0\u00a0\u00a0\u00a0<\/b>Beauty<\/i><\/b>, <\/b>Saint Paul the Apostle Church, New York, NY<\/span><\/p>\n

2015 \u00a0\u00a0\u00a0\u00a0<\/b>Selections<\/i><\/b>, <\/b>Concordia College, Bronxville, NY<\/span><\/p>\n

2014<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Remix: Selections from the International Collage Center<\/i><\/b>, Bates College Museum of Art, \u00a0Lewiston, ME<\/span><\/p>\n

2013 <\/b>\u00a0\u00a0\u00a0\u00a0<\/span>Remix: Selections from the International Collage Center<\/i><\/b>, Katonah Museum,<\/span>\u00a0Katonah, NY<\/span><\/p>\n

2012<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Remix: Selections from the International Collage Center,<\/i><\/b> Daum Museum, Sedalia, MO<\/span><\/p>\n

2012 \u00a0\u00a0\u00a0\u00a0<\/span>The Collage Show<\/i><\/b>, Hampden Gallery, Umass Amherst, Amherst, MA<\/span><\/p>\n

2011<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Remix : Selections from the International Collage Center<\/i><\/b>, Bucknell University,<\/span>\u00a0Lewisburg, PA<\/span><\/p>\n

2009<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>The Collage Show,<\/i><\/b> Spencertown Academy, Spencertown NY<\/span><\/p>\n

2009<\/b> \u00a0\u00a0\u00a0\u00a0Collage Logic,<\/i><\/b> \u00a0Storefront Artist Project Pittsfield, MA<\/span><\/p>\n

2008<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Collage Logic,<\/i><\/b> Ann Street Gallery, Newburgh, NY<\/span><\/p>\n

2008 \u00a0\u00a0\u00a0\u00a0Crave<\/i><\/b>,<\/b> University of Tennessee, Knoxville TN<\/span><\/p>\n

2007<\/b> \u00a0\u00a0\u00a0<\/span>Collage in the Expanded Field<\/i><\/b>,<\/span><\/i> The Arts Center, Saint Petersburg FL<\/span><\/p>\n

2007<\/b> \u00a0\u00a0\u00a0<\/span>Crave, <\/i><\/b>Marshall Arts, Memphis TN<\/span><\/p>\n

2006<\/b> \u00a0\u00a0\u00a0<\/span>Helicon: Art Historical Influence in Contemporary Art<\/i><\/b>,<\/span><\/i> \u00a0Freedman Gallery, Albright College, Reading PA <\/span><\/p>\n

2006<\/b> \u00a0\u00a0\u00a0Group One,<\/i><\/b> Lesley Heller Gallery, NYC<\/span><\/p>\n

2006<\/b> \u00a0\u00a0\u00a0<\/span>Color Correction<\/i><\/b>, Lab Gallery, NYC<\/span><\/p>\n

2006 \u00a0\u00a0\u00a0<\/b>Grid: Structure and Process,<\/i><\/b> Concordia College, Ann Arbor MI<\/span><\/p>\n

2006 \u00a0\u00a0\u00a0<\/b>Winter Salon,<\/i><\/b> Leslie Heller Gallery, New York NY<\/span><\/p>\n

2005<\/b> \u00a0\u00a0\u00a0<\/span>Unrelated<\/i><\/b>,<\/span><\/i> Saratoga Springs Art Center, Saratoga Springs NY<\/span><\/p>\n

2005 <\/b>\u00a0\u00a0\u00a0<\/span>Group Exhibition<\/i><\/b>, Blue Heron Gallery, Deer Isle ME<\/span><\/p>\n

2005<\/b> \u00a0\u00a0\u00a0<\/span>Group Exhibition<\/i><\/b>, Gateway Gallery, Haystack, Deer Isle ME<\/span><\/p>\n

2005<\/b> \u00a0\u00a0\u00a0Hunter Faculty Exhibition,<\/i><\/b> Times Square Gallery NYC<\/span><\/p>\n

2005 \u00a0\u00a0\u00a0<\/b>Fragments: \u00a0Implication of the Whole,<\/i><\/b> \u00a0Blue Hill Cultural Center, Pearl River NY<\/span><\/p>\n

2004<\/b> \u00a0<\/span>\u00a0\u00a0<\/span><\/i>Second Nature<\/i><\/b>,<\/b> \u00a0FishTank Gallery, Brooklyn NY<\/span><\/p>\n

2004 \u00a0\u00a0\u00a0<\/b>Under The Influence,<\/i><\/b> Rockland Center For The Arts, West Nyack NY<\/span><\/p>\n

2004 \u00a0\u00a0\u00a0<\/b>Newer Genres: Twenty Years of the Rutgers Archives for Printmaking Studios,<\/i><\/b> \u00a0Jane Voorhees Zimmerli Art<\/span>\u00a0Museum, Rutgers State University of New Jersey <\/span><\/p>\n

2004 \u00a0\u00a0\u00a0<\/b>Works on Paper<\/i><\/b>,<\/span><\/i> \u00a0Leubsdorf Gallery, Hunter College, NYC<\/span><\/p>\n

2003<\/b> \u00a0\u00a0\u00a0<\/span>Seeing Red: Contemporary Non-objective Painting,<\/i><\/b> Hunter College Times Square Gallery, NYC<\/span><\/p>\n

2002<\/b> \u00a0\u00a0\u00a0<\/span>Small Works,<\/i><\/b> Leubsdorf Gallery, Hunter College, NYC<\/span><\/p>\n

2000<\/b> \u00a0\u00a0\u00a0<\/span>Faculty Exhibition<\/i><\/b>,<\/span><\/i> Hunter College, NYC<\/span><\/p>\n

1998<\/b> \u00a0\u00a0\u00a0Cill Rialaig Gallery, Ballinskelligs, Ireland<\/span><\/p>\n

1997<\/b> \u00a0\u00a0\u00a0<\/span>Abstraction Index,<\/i><\/b> \u00a0Condeso-Lawler Gallery, NYC<\/span><\/p>\n

1997 \u00a0\u00a0\u00a0<\/b>New York Conceptual Abstraction,<\/i><\/b> New Image Art, Los Angeles CA.<\/span><\/p>\n

1996<\/b> \u00a0\u00a0\u00a0Intrinsic Art,<\/i><\/b> Pyramid Arts Center, Rochester NY<\/span><\/p>\n

1996 \u00a0\u00a0\u00a0<\/b>The Rockland Connection,<\/i><\/b> \u00a0Rockland Center For The Arts, \u00a0West Nyack NY<\/span><\/p>\n

1995<\/b> \u00a0\u00a0\u00a0<\/span>Small Matters of Great Importance,<\/i><\/b> \u00a0Hopper House Art Center, \u00a0Nyack NY<\/span><\/p>\n

1995<\/b> \u00a0\u00a0\u00a0<\/span>Repicturing Abstraction: \u00a0The Abducted Image,<\/i><\/b> \u00a0Marsh Art Gallery, University of Richmond, Richmond VA<\/span><\/p>\n

1995<\/b> \u00a0\u00a0\u00a0<\/span>Made To Order: \u00a0America’s Most Wanted Painting,<\/i><\/b> \u00a0Alternative Museum, NYC<\/span><\/p>\n

1993<\/b> \u00a0\u00a0\u00a0<\/span>Hunter College MFA Faculty Artists 1981 \u2013 1993<\/i><\/b>,<\/span><\/i> \u00a0Voorhees Gallery, NYC<\/span><\/p>\n

1993 <\/b>\u00a0\u00a0\u00a0Weiserhaus Gallery, Hamburg, Germany, Benefit for Bosnian Children in Crisis<\/span><\/p>\n

1992<\/b> \u00a0\u00a0\u00a0<\/span>Art In Nyack<\/i><\/b>, Hopper House Gallery, Nyack NY<\/span><\/p>\n

1992<\/b> \u00a0\u00a0\u00a0<\/span><\/i>Summer Exhibition<\/i><\/b>, Mira Mar Gallery, Sarasota FL<\/span><\/p>\n

1992<\/b> \u00a0\u00a0\u00a0<\/span>Group Exhibition<\/b>, Lustberg Bridgewater Gallery, NYC<\/span><\/p>\n

1991<\/b> \u00a0\u00a0\u00a0<\/span>The First Decade of the MFA Program<\/i><\/b>, Hunter College, NYC<\/span><\/p>\n

1991<\/b> \u00a0\u00a0\u00a0Rutgers Print Archives Exhibition<\/i><\/b>, Rutgers University, New Brunswick NJ<\/span><\/p>\n

1990<\/b> \u00a0\u00a0\u00a0<\/span>Dia De Los Muertos<\/i><\/b>, Alternative Museum, NYC<\/span><\/p>\n

1989<\/b> \u00a0\u00a0\u00a0<\/span>Artists at Hunter<\/i><\/b>, Voorhees Gallery, NYC<\/span><\/p>\n

1988<\/b> \u00a0\u00a0\u00a0<\/span>Embodiment \u2013 Personification<\/i><\/b>,<\/span><\/i> Art in General, NYC.<\/span><\/p>\n

1988<\/b> \u00a0\u00a0\u00a0<\/span>New Faces<\/i><\/b>, Momenta Art Alternatives, Philadelphia PA.<\/span><\/p>\n

1988<\/b> \u00a0\u00a0\u00a0<\/span>Oxford Artweek – Outdoor Sculpture<\/i><\/b>,<\/span><\/i> Oxford, England. <\/span><\/p>\n

1988<\/b> \u00a0\u00a0\u00a0<\/span>Ten Downtown<\/i><\/b>, Art In General, and La Galleria Seconde Class, NYC.<\/span><\/p>\n

1988<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Rutgers National<\/i><\/b>, Camden NJ<\/span><\/p>\n

1987<\/b> \u00a0\u00a0\u00a0<\/span><\/i>Two for One: \u00a0Collaborative Art<\/i><\/b>, Henry Street Settlement, NYC<\/span><\/p>\n

1986<\/b> \u00a0\u00a0\u00a0<\/span>Wings Over Brooklyn<\/i><\/b>,<\/span> Prospect Park Arch, Brooklyn NY<\/span><\/p>\n

1986<\/b> \u00a0\u00a0\u00a0<\/span>The All Natural Disaster Show<\/i><\/b>, P.S. 39, Longwood Arts Project, Bronx NY<\/span><\/p>\n

1986<\/b> \u00a0\u00a0\u00a0<\/span>New Liberty Monuments<\/i><\/b>, New House Gallery, Snug Harbor Cultural Center, Staten Island NY<\/span><\/p>\n

1986<\/b> \u00a0\u00a0\u00a0<\/span>Four By Four II<\/i><\/b>, White Columns Gallery, NYC<\/span><\/p>\n

1985 \u00a0\u00a0\u00a0<\/b>The Ego Show<\/i><\/b>, Minor Injury Gallery, Brooklyn NY<\/span><\/p>\n

1985 \u00a0\u00a0\u00a0<\/b>Cause and Effect<\/i><\/b>, Pan Arts at Northside Industries, Brooklyn NY<\/span><\/p>\n

1985 \u00a0\u00a0\u00a0<\/b>Loft 2, Bush Terminal Show<\/i><\/b>, Brooklyn NY<\/span><\/p>\n

1985 \u00a0\u00a0\u00a0<\/b>Paper as Paint<\/i><\/b>, Goodman Resource Center, Fashion Institute of Technology, NYC<\/span><\/p>\n

1985 \u00a0\u00a0\u00a0<\/b>On, Of and About Paper<\/i><\/b>, The Rotunda Gallery, Brooklyn NY<\/span><\/p>\n

1985 \u00a0\u00a0\u00a0<\/b>Small Works<\/i><\/b>, New York University, NYC<\/span><\/p>\n

1985 \u00a0\u00a0\u00a0<\/b>Anniversary Exhibition<\/i><\/b>, Museum of Contemporary Hispanic Art, NYC<\/span><\/p>\n

1985 \u00a0\u00a0\u00a0<\/b>Small Works<\/i><\/b>, 21 \u00a0Bond Gallery, NYC<\/span><\/p>\n

1985 \u00a0\u00a0\u00a0<\/b>New Talent<\/i><\/b>, Brooklyn Museum, Brooklyn NY<\/span><\/p>\n

1985 \u00a0\u00a0\u00a0<\/b>Perceptions, Five Artists – Five Views on Paper<\/i><\/b>, Intar Gallery NYC<\/span><\/p>\n

1985 \u00a0\u00a0\u00a0<\/b>Paper and Print<\/i><\/b>, Foreman Gallery, Hartwick College, Oneonta NY<\/span><\/p>\n

1984<\/b> \u00a0\u00a0\u00a0<\/span>Berkshire Art Association Works on Paper<\/i><\/b>, Berkshire Museum, Pittsfield MA.<\/span><\/p>\n

1984 \u00a0\u00a0\u00a0<\/b>Material and Metaphor<\/i><\/b>, Ben Shahn Gallery, William Paterson College, Wayne NJ<\/span><\/p>\n

1982<\/b> \u00a0\u00a0\u00a0<\/span>Anti-Nuclear Show<\/i><\/b>,<\/span> Just Above Midtown\/Downtown, NYC<\/span><\/p>\n

1981<\/b> \u00a0\u00a0\u00a0<\/span>A More Store<\/i><\/b>, White Columns Gallery, NYC<\/span><\/p>\n

1981<\/b> \u00a0\u00a0\u00a0<\/span>Figurative Works on Paper<\/i><\/b>, The Rotunda Gallery, Brooklyn NY<\/span><\/p>\n

1981<\/b> \u00a0\u00a0\u00a0<\/span>Paperworks<\/i><\/b>,<\/span> Ralph Wilson Gallery, Lehigh University, Bethlehem PA.<\/span><\/p>\n

1979<\/b> \u00a0\u00a0\u00a0<\/span>Summer Group Exhibition<\/i><\/b>, Tim Blackburn Gallery, NYC<\/span><\/p>\n

1981<\/b> \u00a0\u00a0\u00a0<\/span>Color<\/i><\/b>, Organization of Independent Artists, P.S. 1, Long Island City NY<\/span><\/p>\n

1978<\/b> \u00a0\u00a0\u00a0<\/span>Wall Works<\/i><\/b>, Alternative Center for International Arts, NYC<\/span><\/p>\n

1978<\/b> \u00a0\u00a0\u00a0<\/span>Federal Courthouse Exhibition<\/i><\/b>, Organization of Independent Artists, NYC<\/span><\/p>\n

1978<\/b> \u00a0\u00a0\u00a0<\/span>Exposicion Coletciva<\/i><\/b>, Tim Blackburn Gallery, NYC<\/span><\/p>\n

1974<\/b> \u00a0\u00a0\u00a0<\/span>Cayuga Exotica<\/i><\/b>, Herbert Johnson Museum of Art, Cornell University, Ithaca NY<\/span><\/p>\n

WRITING\/PUBLICATIONS<\/b><\/p>\n

2024 \u00a0 \u00a0D. Dominick Lombardi, \u201cJoel Carreiro:A Tour of Possible Worlds\u201d<\/strong>, New Art Examiner, January (Review, Reproductions)<\/p>\n

2021 \u00a0 \u00a0Cornell AAP Alumni Archive, Art Remix: Transforming Familiar Artwork Through Collage By Grace Sachi Troxell<\/strong>, M.F.A. \u201921 Cornell University, Art, Architecture and Planning Archive<\/p>\n

2020 \u00a0 \u00a0Picassoid, Catalog 2020 Sarah Mills<\/strong>, Picassoids : The Science Fiction of Art History<\/p>\n

2020 \u00a0 \u00a0Paul Bochner<\/strong>, Carreiro\u2019s Picassos<\/p>\n

2019 \u00a0\u00a0\u00a0Drawing Journals \/ Joel Carreiro \/ Selections \/ 2016 2018<\/b><\/p>\n

2018 \u00a0\u00a0\u00a0Drawing Journals \/ Joel Carreiro \/ Selections \/ 1975-1979<\/b><\/p>\n

2018 \u00a0\u00a0\u00a0Drawing Journals \/ Joel Carreiro \/ Selections \/ 1980-1986<\/b><\/p>\n

2018 \u00a0\u00a0<\/b>\u00a0Catalog Essay,<\/span> Operating Procedures, In Process : Works by Creighton Michael From 2000 to 2017<\/b>, \u00a0 \u00a0 \u00a0 \u00a0 Ilges \u00a0<\/span>Gallery, Corn Center for the Visual Arts, Columbus State University, Columbus, Ga <\/span><\/p>\n

2018 \u00a0\u00a0\u00a0Drawing Journals \/ Joel Carreiro \/ Selections \/ 1987 \/ 1997<\/b><\/p>\n

2017 \u00a0\u00a0\u00a0Drawing Journals \/Joel Carreiro \/ \u00a0Selections \/ 1998-2009<\/b><\/p>\n

2016 \u00a0\u00a0\u00a0Drawing Journals \/ Joel Carreiro \/ Selections \/ 2010-2016<\/b><\/p>\n

2016 \u00a0\u00a0<\/b>Catalog Essay<\/span>, <\/b>Tears or the Sea<\/i><\/b>, <\/b>Solo Exhibition, Kingsley Parker, Thompson Giroux Gallery, Chatham, NY<\/span><\/p>\n

2012<\/b> \u00a0\u00a0Catalog Essay, <\/span>Walking the Walk: Yeon Jin Kim\u2019s Spaceship Grocery Store<\/b>, Hunterdon Museum, Clinton, NJ <\/span><\/p>\n

CURATORIAL<\/b><\/p>\n

\n
\n
\n
\n

2024 \u00a0 Tatami Project 1 – Eiko Nishida,<\/strong> solo show, Thomas Hunter Project Space, NYC<\/p>\n

2023 \u00a0 Object Fluency,<\/strong> Ronald Gonzalez and Kathleen Granados, Cluster Gallery, Brooklyn, NY<\/p>\n

2020 \u00a0 Ahl Stars 2019,<\/strong> Ahl Foundation Contemporary Visual Arts Awards Exhibition, Sungarum Tagore Gallery, NYC<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

2018 \u00a0\u00a0\u00a0Life Threads : <\/b>Frank Sabatte\u2019<\/strong> Thomas Hunter Project Space, New York, NY<\/p>\n

2018 \u00a0\u00a0\u00a0Frabjous, <\/b>St Paul the Apostle Church, with Lili Jamail and Dionis Ortiz, New York, NY<\/p>\n

2018 \u00a0\u00a0\u00a0Jessye McDowell : Future Sets, <\/b>Thomas Hunter Project Space, New York, NY<\/p>\n

2018 \u00a0\u00a0\u00a0How Big is Big, <\/b>Cluster Gallery, Brooklyn, NY<\/p>\n

2017 \u00a0\u00a0\u00a0Found Underground – Carrie Rubenstein, <\/b>Thomas Hunter Project Space, New York, NY<\/p>\n

2017 \u00a0\u00a0\u00a0Openings to Further Enclosures – Daniel Mantilla, <\/b>Thomas Hunter Project Space, New York, NY<\/p>\n

2017 \u00a0\u00a0\u00a0<\/b>In Process : \u00a0Works by Creighton Michael From 2000 to 2017, <\/i><\/b>\u00a0<\/b>Ilges Gallery, Corn Center for Visual Arts, Columbus <\/span>State University, \u00a0\u00a0Columbus, GA<\/span><\/p>\n

2017 \u00a0\u00a0\u00a0\u00a0<\/b>I Feel an Earthquake Every Day: EunSun Choi<\/i><\/b>, <\/b>Thomas Hunter Project Space, New \u00a0York, NY<\/span><\/p>\n

2016 \u00a0\u00a0\u00a0\u00a0<\/b>Polymorphous,<\/i><\/b> Cluster Gallery, Brooklyn, NY<\/span><\/p>\n

2014 \u00a0\u00a0\u00a0\u00a0<\/b>Happy Happy Sad Sad \/ Hanah Israel<\/i><\/b>, <\/b>Thomas Hunter Project Space, New York, NY<\/span><\/p>\n

2014 \u00a0\u00a0\u00a0\u00a0<\/b>Transcribe \/ \u00a0Sujin Lee<\/i><\/b>, <\/b>Thomas Hunter Project Space, New York, NY<\/span><\/p>\n

2012 <\/b>\u00a0\u00a0\u00a0\u00a0<\/span>Ahl Stars 2012<\/i><\/b>, curator, catalog essay, Dean Projects, New York, NY<\/span><\/p>\n

2012<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Based On A True Story<\/i><\/b>, Downtown Gallery, UT Knoxville, Knoxville, TN<\/span><\/p>\n

2012<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>Based On A True Story<\/i><\/b>, Marshall Arts, Memphis, TN<\/span><\/p>\n

2010<\/b> \u00a0\u00a0\u00a0\u00a0<\/span>All Intellectual Animals Are Dangerous: Yeon Jin Kim<\/i><\/b>, Lab Gallery, New York, NY<\/span><\/p>\n

2006<\/b> \u00a0\u00a0 <\/span>State of the Art<\/i><\/b>, Rockland Center for the Arts, West Nyack NY, as a component of <\/span>The Cultural Landscape<\/i><\/b>, a <\/span>four-venue collaborative exhibition also presented at The Rye Art Center, Rye NY, and The Pelham Art Center, Pelham <\/span>\u00a0NY and Jacob Burns Film Center, Pleasantville NY <\/span><\/p>\n

2006 \u00a0<\/strong>\u00a0\u00a0<\/span>Jackie Schatz: New Work<\/i><\/b> , Rockland Center for the Arts, West Nyack NY<\/span><\/p>\n

2005<\/b> \u00a0\u00a0\u00a0<\/span>Process and Sensibility<\/i><\/b>, The Lab Gallery, New York NY \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

2005<\/b> \u00a0\u00a0\u00a0Quantum Zoo<\/i><\/b>, The Lab Gallery, New York NY \u00a0<\/span>Co-Curator with Lynn Stein, <\/span><\/p>\n

2005 <\/b>\u00a0\u00a0\u00a0\u00a0In Line<\/i><\/b>, Rockland Center for the Arts, West Nyack NY<\/span><\/p>\n

2005<\/b> \u00a0\u00a0\u00a0John Rosis, Calibration and Contingency<\/i><\/b>, Rockland Center for the Arts, West Nyack NY \u00a0<\/span><\/p>\n

2004<\/b> \u00a0\u00a0\u00a0<\/span>She Must Have Looked Beautiful In That Dress<\/i><\/b>,<\/span><\/i> Hopper House Art Center,\u00a0<\/span>Nyack NY<\/p>\n

1999<\/b> \u00a0\u00a0\u00a0<\/span>Constance De Jong \/ Jeanne Atkin<\/i><\/b>,<\/span><\/i> Hopper House Art Center, Nyack NY<\/span><\/p>\n

Co-Curator with Tad Wiley<\/span>, Lives in Paint: From the Collection of Haitian Paintings from Jonathan Demme<\/i><\/b>,<\/span><\/i> Hopper House Art Center, Nyack NY, and Rockland Center For The Arts, West Nyack NY<\/span><\/p>\n

1998<\/b> Tony Oursler \/ Paul Bochner<\/i><\/b>,<\/span><\/i> Hopper House Art Center, Nyack NY<\/span><\/p>\n

\u00a0\u00a0\u00a0John Rosis and Gary Peterson<\/i><\/b>,<\/span><\/i> Hopper House Art Center, Nyack, NY (Catalog)<\/span><\/p>\n

1997<\/b> Anna Hammond \/ Peter Dudek<\/i><\/b>,<\/span><\/i> Hopper House Art Center Nyack NY<\/span><\/p>\n

1994<\/b> The Concrete Voice<\/i><\/b>,<\/span><\/i> \u00a0Leubsdorf Gallery, Hunter College, New York NY (Catalog)<\/span><\/p>\n

1986<\/b> Helen Oji and Mario Bencomo<\/i><\/b>,<\/span><\/i> Intar Gallery, New York NY<\/span><\/p>\n

BIBLIOGRAPHY<\/b><\/p>\n

2008 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Abby Luby, <\/span>\u201cCollage Logic<\/b>\u201d, Roll Magazine, October (Review)<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Matt Frey, <\/span>\u201c\u2018Collage Logic\u2019 at Ann Street Gallery\u201d<\/b>, October (Review)<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Benjamin Genocchio, <\/span>\u201cPiecing Things Together\u201d<\/b>, \u00a0The New York Times, \u00a0\u00a0<\/span>October (Review)<\/span><\/p>\n

2006 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Benjamin Genocchio, <\/span>\u201cThe Silly, The Erotic, and the Adorable\u201d<\/i><\/b> The New York Times, October (Review)<\/span><\/p>\n

2004 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Christopher Farris, \u201c<\/span>A Treat Not To Be Missed<\/i><\/b>\u201d Manchester Journal, April 9 (Review) <\/span><\/p>\n

\u00a0\u00a0\u00a0Emily Kratzer, \u201c<\/span>Artists Under the Influence\u201d<\/i><\/b>, Rockland Journal News, March 6, (Review)<\/span><\/p>\n

\u00a0\u00a0\u00a0Southern Vermont Art Center<\/i><\/b> Catalog 2004 \u00a0(Reproduction)<\/span><\/p>\n

\u00a0\u00a0\u00a0Dominic Lombardi, \u201c<\/span>Students, Teachers, Mentors<\/i><\/b>\u201d The New York Times, March 28, (Review, Reproduction)<\/span><\/p>\n

1999 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0AArt, Culture and The Semiotics of Meaning,@ Jackson Barry, St. Martin\u2019s Press, P 117.<\/span><\/p>\n

1995<\/span> Vivien Raynor, AAt Hopper House Center, One Of The Smoothest of Lineups,@ New York Times, September 17 <\/span>\u00a0(Review).<\/span><\/p>\n

\u00a0\u00a0\u00a0Arthur Danto, Richard Waller, etc., ARepicturing Abstraction,@ Catalog <\/span><\/p>\n

\u00a0\u00a0\u00a0Paulette Roberts-Pullen, Opposite Attractions,@ February 6 (Review Reproduction).<\/span><\/p>\n

\u00a0\u00a0\u00a0The Rutgers Archives for Printmaking Studios, Catalog of Acquisitions 1991-1993 (Reproduction).<\/span><\/p>\n

1993<\/span> Hunter College M.F.A. Faculty, 1981-1993, Catalog (Reproduction).<\/span><\/p>\n

1991<\/span> The First Decade of the MFA Program, 1981-1991, Catalog (Reproduction).<\/span><\/p>\n

1988<\/span> \u201c<\/span>Rutgers National ’87-’88,\u201d <\/i><\/b>\u00a0(Catalog, Reproduction).<\/span><\/p>\n

\u00a0\u00a0\u00a0Robert Baxter, \u201c<\/span>Rutgers Host Works on Paper\u201d<\/i><\/b>, Camden Courier Post, March 16 (Review, Reproduction).<\/span><\/p>\n

\u00a0\u00a0\u00a0Dwight Ott, \u201c<\/span>South Jersey Art Scene Brightening\u201d<\/i><\/b>, \u00a0The Philadelphia Inquirer, April 13 (Reproduction).<\/span><\/p>\n

1987<\/span> Tony Lay, \u201c<\/span>The Other Face of the Bronx\u201d<\/i><\/b>, Per Lui (Italian Vogue), May, p. 204 (Interview, Reproductions)<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0Artquest ’87<\/i><\/b> Catalog, p.17 (Reproduction)<\/span><\/p>\n

1986<\/span> The Phoenix, vol. XIV, n. 41, May 1 (Review, Reproduction).<\/span><\/p>\n

\u00a0\u00a0\u00a0Michael Fressola, Staten Island Advance, vol. 100, No 21905, March 14 (Review)<\/span><\/p>\n

\u00a0\u00a0\u00a0Daily News, February 2 (Reproduction)<\/span><\/p>\n

\u00a0\u00a0\u00a0William Zimmer, Natural Disaster Show Offers Samples of Creative Upheaval,@ New York Times, WC, January 26,<\/span>\u00a0p.24 (Review, Reproduction)<\/span><\/p>\n

\u00a0\u00a0\u00a0Joyce Ann Houston, Rotunda Show Features Paper Artists,@ The Prospect Press, No. 90, \u00a0June 13, p.20 (Review)<\/span><\/p>\n

\u00a0\u00a0\u00a0Richard Waller, Introduction, ANew Talent Show,@ \u00a0The Brooklyn Museum Community Gallery (Catalog, <\/span>Reproduction)<\/span><\/p>\n

1984<\/span> Berkshire Art Association (Catalog, Reproduction)<\/span><\/p>\n

\u00a0\u00a0\u00a0Charles Bonenti, AB.A.A. Fall Exhibition: \u00a0Diversity on Paper,@ The Berkshire Eagle, October 11 (Review)<\/span><\/p>\n

1983<\/span> Bernard Toale, The Art of Papermaking,@ Davis Publications, \u00a0p.38 (Reproduction)<\/span><\/p>\n

1981<\/span> Ralph Wilson Gallery, Lehigh University (Catalog, Reproduction)<\/span><\/p>\n

1978<\/span> Wall Works, Alternative Center for International Arts, Inc., 1978 (Catalog)<\/span><\/p>\n

\u00a0\u00a0\u00a0John Perrault, AUp Against Walls, \u00a0The Village Voice (Review)<\/span><\/p>\n

1974<\/span> Herbert Johnson Museum of Art (Catalog, Reproductions<\/span><\/p>\n

GRANTS\/AWARDS<\/b><\/p>\n

2010 \u00a0\u00a0\u00a0\u00a0City University of New York Research Grant<\/span><\/p>\n

2007 \u00a0\u00a0\u00a0\u00a0City University of New York Research Grant<\/span><\/p>\n

2004 \u00a0\u00a0\u00a0\u00a0City University of New York Research Grant<\/span><\/p>\n

2002 \u00a0\u00a0\u00a0\u00a0City University of New York Research Grant<\/span><\/p>\n

2002 \u00a0\u00a0\u00a0\u00a0New York Foundation For The Arts, \u00a0S.O.S. Grant <\/span><\/p>\n

2002 \u00a0\u00a0\u00a0\u00a0City University of New York Research Grant<\/span><\/p>\n

2002 \u00a0\u00a0\u00a0\u00a0New York Foundation For The Arts, \u00a0S.O.S. Grant<\/span><\/p>\n

2002 \u00a0\u00a0\u00a0\u00a0City University of New York Research Grant<\/span><\/p>\n

1996 \u00a0\u00a0\u00a0\u00a0City University of New York Research Grant<\/span><\/p>\n

1994 \u00a0\u00a0\u00a0\u00a0Hunter College Faculty Development Award <\/span><\/p>\n

1994 \u00a0\u00a0\u00a0\u00a0City University of New York Research Grant<\/span><\/p>\n

1985 \u00a0\u00a0\u00a0\u00a0Juror’s Award, Rotunda Gallery, Brooklyn NY, \u00a0Juried by John Perrault and Deborah Wye<\/span><\/p>\n

1982 \u00a0\u00a0\u00a0\u00a0Artist Grant, New York State Council on the Arts<\/span><\/p>\n

1971 \u00a0\u00a0\u00a0\u00a0Charles Sands Memorial Award in Art, Cornell University, Ithaca NY<\/span><\/p>\n

1969 \u00a0\u00a0\u00a0\u00a0Scholarship, Haystack School of Arts and Crafts, Deer Isle ME<\/span><\/p>\n

TEACHING\/ VISITING ARTIST\/ RESIDENCIES<\/b><\/p>\n

2018 \u00a0\u00a0\u00a0Visiting Artist, Latvian Art Academy, Riga, Latvia<\/span><\/p>\n

1986- Present \u00a0\u00a0Professor, Hunter College, C.U.NY<\/span><\/p>\n

2000- 2017 \u00a0Director, Graduate Programs, Hunter College, C.U.NY<\/span><\/p>\n

2008 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Artist in Residence, \u00a0\u201cNew Works Program\u201d, Haystack School, Deer Isle, Me<\/span><\/p>\n

2007 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Artist in Residence, \u201cNew Works Program\u201d Haystack School, Deer Isle ME<\/span><\/p>\n

2007 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Artist in Residence, The Art Center, St. Petersburg FL<\/span><\/p>\n

2006 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Artist in Residence, Albright College, Reading PA<\/span><\/p>\n

2005 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Artist in Residence, Haystack School, Deer Isle ME<\/span><\/p>\n

2005 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Visiting Artist, Cornell University, Ithaca NY<\/span><\/p>\n

2003 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Visiting Artist, Anderson Ranch, Snowmass CO<\/span><\/p>\n

1999 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Visiting Artist, University of Richmond, Richmond VA<\/span><\/p>\n

1998 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Artist in Residence, Cill Rialaig Project, Ballinskelligs, Ireland<\/span><\/p>\n

1997 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Artist in Residence, Yaddo, Saratoga Springs NY<\/span><\/p>\n

1994 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Artist in Residence, Yaddo, Saratoga Springs NY<\/span><\/p>\n

1989 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Artist In Residence, Yaddo, Saratoga Springs NY<\/span><\/p>\n

1985-86 \u00a0Artist in Residence, Daniel Webster School, New Rochelle NY<\/span><\/p>\n

1984-85 \u00a0Visiting Artist Program, New York Foundation for the Arts<\/span><\/p>\n

1984 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Visiting Artist, Ithaca College, Ithaca NY<\/span><\/p>\n

1984 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Artist in Residence, Art Park, Lewiston NY<\/span><\/p>\n

2012 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Panel Speaker, \u201cRemix\u201d Daum Museum, Sedalia, MO<\/span><\/p>\n

2008 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Lecture, \u201cSpellbound\u201d Exhibition, Kreft Gallery, Concordia College , Ann Arbor, Michigan<\/span><\/p>\n

2007 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Lecture, \u201cSpellbound\u201d Exhibition, Osilas Gallery, Concordia College, Bronxville, NY<\/span><\/p>\n

2007 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Panel speaker, \u201cCollage in the Expanded Field\u201d The Art Center, St. Petersburg FL<\/span><\/p>\n

2005 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Moderator, panel talk, \u201cThe Curator\u201d Rockland Center for the Arts, West Nyack NY<\/span><\/p>\n

2004 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Panel Speaker, Graduate Education in the Arts in Europe and the United States, Hunter College, New York, NY \u00a0<\/span><\/p>\n

2003 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Moderator, Panel Talk, ADeJong, Zansky, Oursler: Collaborations at Rockland Center For The Arts, West Nyack NY <\/span><\/p>\n

2002 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Lecture, Rockland Community College, Suffern NY<\/span><\/p>\n

2001-Present \u00a0Alumni Advisory Council, College of Architectural Art and Planning, Cornell University, Ithaca NY<\/span><\/p>\n

1986-Present \u00a0Artist Advisory Board, Rotunda Gallery, Brooklyn NY<\/span><\/p>\n

2000 \u00a0\u00a0\u00a0Panel Speaker, Art Smart Conference, Rhode Island School of Design, Providence RI<\/span><\/p>\n

1996-1999 \u00a0\u00a0Gallery Selection Committee, Hopper House Art Center, Nyack NY<\/span><\/p>\n

1986 \u00a0\u00a0Lecture for Museum of Modern Art Interns, Alternative Museum, NYC<\/span><\/p>\n

1985-1990 \u00a0\u00a0Artist Advisory Board, Intar Gallery, NYC<\/span><\/p>\n

EDUCATION<\/b><\/p>\n

1982<\/b> MFA, Hunter College, City University of New York<\/span><\/p>\n

1971<\/b> BFA, Cornell University, Ithaca, NY<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Download Resume(Click here) SOLO EXHIBITIONS 2023 \u00a0 \u00a0A Tour of Possible Worlds, Anthony Brunelli Fine Arts Binghamton N.Y 2021 \u00a0 \u00a0Subjective Logic, three person show with Mark Gibian, Sarah Walker, Holland Tunnel Gallery, Newburgh, NY 2020 \u00a0 \u00a0Picassoid, catalog, Center for the Arts Gallery, Westchester Community College, Valhalla, NY 2017 \u00a0\u00a0\u00a0\u00a0Recent Work, Latvian Academy of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/joelcarreiro.com\/index.php?rest_route=\/wp\/v2\/pages\/10","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/joelcarreiro.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/joelcarreiro.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/joelcarreiro.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/joelcarreiro.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10"}],"version-history":[{"count":65,"href":"http:\/\/joelcarreiro.com\/index.php?rest_route=\/wp\/v2\/pages\/10\/revisions"}],"predecessor-version":[{"id":755,"href":"http:\/\/joelcarreiro.com\/index.php?rest_route=\/wp\/v2\/pages\/10\/revisions\/755"}],"wp:attachment":[{"href":"http:\/\/joelcarreiro.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}